Dope

On February 10, Dope became available to watch on Netflix. My interest was piqued by the trailers when it came out last summer, but I never got the chance to see it. So when it became available for streaming I had to give it a go.

NOW PLAYING IN THEATERS EVERYWHERE: http://dopemovietickets.com A critical hit and audience favorite out of the Sundance Film Festival, in DOPE, Malcolm (Shameik Moore) is carefully surviving life in a tough neighborhood in Los Angeles while juggling college applications, academic interviews, and the SAT.

 

I could not be more satisfied with my decision. From the beginning, Dope had me hooked. The trailers are deceptive- it looks like a light hearted period romp, something like like Superbad or American Pie. What you're actually getting is a movie closer to Scott Pilgrim Vs. the WorldDope isn't afraid to be experimental in both plot and its execution. The main character, Malcolm, isn't actually a 90's kid. The movie takes place in the present and Malcolm and his friends are just obsessed with 90's hip-hop culture. 

Modern technology is a major theme of this movie. It hones in specifically on how much the internet has influenced every facet of modern life ranging from the spread of information all the way to the drug trade. It's shot in such a way that viral videos resulting from the characters actions are presented to the viewers as a record of their antics.

Dope takes the coming of age story to the next level, showing the anxiety of being a teenager facing an amoral world and the subsequent loss of innocence. Malcolm not only has to try to get into college, he also needs to face down drug dealers whose tendrils of influence invade Malcolm's life to a frightening degree. 

Even beyond the fantastic plot, this movie is full of cameos including Blake Anderson, A$AP Rocky, and Tyga. Pharrell Williams and Sean Combs both had producer credits. Pharrell also wrote 4 original songs for the film and they're all amazing. Basically, there's a lot of talent backing this movie and it shows.

I loved Dope and I'm probably going to watch it again very soon. Can't recommend it highly enough. Bump this one up to the top of the queue. 

World of Tomorrow

Normally short films are reserved for Wednesdays, but Netflix has recently added Don Hertzfeld's latest animation: World of Tomorrow, so naturally I had to share it here, since I am a huge fan of his work.

World of Tomorrow is the story of a little girl who meets a version of her future self. She goes on an adventure through time and space, learning about the future and all of the crazy things that eventually happens to Future Emily.

Available everywhere March 31 2015 :: http://www.bitterfilms.com https://www.facebook.com/pages/don-hertzfeldt/57893981990 http://www.twitter.com/donhertzfeldt

True to the Hertzfeld style, World of Tomorrow is a poignant reflection on life, death, and love. Similar to It's Such a Beautiful Day (which is also on Netflix), an overarching theme is facing one's mortality. However, World of Tomorrow specifically focuses on how technology shapes humanity's quest for immortality. Of course, there are tons of morbid jokes and surrealist gags peppered in to keep things relatively light.

Overall, World of Tomorrow is worth far more than its 16 minute runtime. It's touching and sad and funny and will absolutely make you think. It has won tons and tons of awards, so even if my word means nothing to you, many other people have praised Hertzfeld's latest work for its heart and ingenuity. 

Watch it today.

W/ Bob and David

Comedy nerds rejoice- Mr. Show's own Bob Odenkirk and David Cross have made their return to sketch comedy with their new Netflix-exclusive program W/ Bob & David. 

After being dishonorably discharged from the Navy Seals, Bob Odenkirk and David Cross are back serving our country the way they do best -- making sketch comedy. All Episodes November 13 netflix.com/withbobanddavid

W/ Bob & David retains many of the things audiences enjoyed about Mr. Show: the blend of the dark with the absurd, the semi-continuous transitions between sketches, and the vicious, no-holds-barred satire of modern society. 

Some of the bits include a freelance Jewish Pope, a sovereign citizen who only encounters friendly police officers, a man whose utterance of the word "cunt" summons the people he's shit-talking, and a musical about rooms called Rooms: The Musical

Acting out these crazy sketches are many of the old Mr. Show cast and writers, including: Paul F. Tompkins, Scott Aukerman, Jay Johnson, and Brian Posehn. And among the veterans are some familiar faces including: Keegan-Michael Key (of Key and Peele), Stephanie Courtney (Flo from Progressive), and Arden Myrin (of Chelsea Lately).

The only bad thing I can honestly say about W/ Bob & David is that it's too damn short. Clocking in at only 5 episodes (4 regular episode and 1 special), it's really closer to a movie than a season of a TV show. I highly recommend watching the one hour special as well, as it affords a rare look behind the curtain on how the show was made starting from the writers room and ending on set.

Park yourself in front of a screen and binge-watch this one.

The Culture High

 This time around, I sat down and watched a movie called The Culture High The Culture High is a documentary exploring marijuana prohibition.

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This documentary affords a no-holds-barred examination of marijuana prohibition in the United States. Note that this movie is staunchly in favor of ending prohibition and the War on Drugs at large, so if you're looking for something "objective", this isn't the film for you. But then again, if you're looking for information in favor of the War on Drugs, you're probably not at all the target audience in any case.

A wide range of individuals are interviewed and provide their perspective on prohibition. Snoop Dogg and Joe Rogan make an appearance in addition to a bevy of experts, scientists, lawyers, pundits, and police officers.

The thing that's the most interesting about this film is that it starts with a historical perspective and then moves into the current factors and vested interests in keeping marijuana illegal. Obviously, money  pouring in from all sides is the main factor. Police want to keep their absolutely fucked up civil forfeiture laws, for-profit prisons want to keep their populations up, and pharmaceutical companies don't want any competition.

There were points in this movie where I got legitimately angry. I knew things were bad, but I had no idea how bad they were. If you're curious about marijuana prohibition and why the War on Drugs is a thing, you need to absolutely watch this movie.

Oldboy (2003)

Just in time for Halloween, Oldboy is a horrifying thrill from start to finish. I'm not talking about the weak-ass American remake, you need to see the real deal, the 2003 Korean version with subtitles. 

For all kinds of film goodness subscribe to ViralFilm: http://bit.ly/1oAEuMD Oldboy After being kidnapped and imprisoned for 15 years, Oh Dae-Su is released, only to find that he must find his captor in 5 days. Oldboy (Hangul: 올드보이; RR: Oldeuboi; MR: Oldŭboi) is a 2003 South Korean mystery thriller film directed by Park Chan-wook.

Where to begin? This movie does everything right: a story that keeps you guessing to the last minute, a cast that gives it their all in every scene, and visuals that will make your head spin.

Oldboy is one of the best written movies I have ever had the pleasure to watch. The plot is something straight out of a Greek tragedy, soaked in blood and betrayal and revenge. Even though it's all subtitles, there are still lines that will make you shiver. I really can't say much more about what happens without giving away major plot points, but I assure you: you will not see the end coming. Don't even bother trying to guess. It's gonna come out of left field and make you completely re-evaluate everything you just watched.

Test upload. I'll keep it if it turns out correctly.

Another thing that's great about Oldboy is that in spite of how dark of it is, there are still for funny moments. Of course, it's all gallows humor, but it serves as breathing room between the crazy plot and the insane fight scenes (like the one to the right). This is absolutely due to the delivery of the lines and the expressions of the actors, who commit to their parts with heartbreaking reality.

And visually, you will not find a better movie. Director Chan-wook Park takes some risks and boy do they pay off. Surreal moments are blended seamlessly into the grit of the city, allowing viewers to gain insight in the unhinged mind of Dae-su Oh.

Watch this movie immediately. I cannot recommend it highly enough.

They Came Together

This month I had the distinct pleasure of watching They Came Together, a biting absurdist parody of every trope in the Rom-Com playbook. 

Directed by David Wain (the brains behind mega-comedy Wet Hot American Summer) and written by Wain and Michael Showalter, this movie lives up to its predecessor's brand of anti-humor and parody. 

Paul Rudd and Amy Poehler star in this subversive romantic comedy from the director of Role Models and Wet Hot American Summer.

They Came Together is pure fun straight from the get-go. The standard rom-com plotline is framed with a dinner conversation between two couples describing how they met. This conversation is meant to serve as an audience surrogate, as there are frequent cuts to the couple asking questions about what is being described.

The plot is a ridiculous pastiche of every Romantic Comedy you have ever seen. Line after line of dialogue has either been ripped straight from the mouth of other movies, or directly addresses the fact they are living in the fuzzy pink bubble that is life in a romantic comedy.

Beyond the tight writing, this movie is a 90 minute cameo. Every part is filled by someone famous and hilarious. It's basically Wet Hot American Summer set in New York City. 

They Came Together is a fun, relaxing watch and a must-see for anyone who is a fan of Rom-Coms. It's a perfect movie to cuddle up with someone special and enjoy together. Check it out!

Welcome to Me

This month, my dear friend Amy recommended that I watch the movie Welcome to Me for this segment. So I did.

Welcome to Me stars Kristen Wiig as a woman with borderline personality disorder named Alice Klieg. Alice lives a mostly sedentary life going to her therapist (played by Tim Robbins) and watching Oprah re-runs. Then she wins 87 million dollars in the lottery and decides to host her own talk show where she discusses whatever she feels like at the time.

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There's a lot of potential for wacky hijinks with this plot. It wouldn't be the first movie where a mentally unstable person got a TV show. However, Welcome to Me remains firmly rooted in reality. It can best be described as a black comedy, as there are some scenes that get a little...real.

Kristen Wiig nails this performance. Alice is unstable, but seems to have things under control. However, as things progress with her show, she grows more and more unhinged and alienates all of her friends and family. There are no wacky hallucination sequences or weird Twin Peaks dreams. We see Alice as she is: a woman who is unwell, who feels marginalized and wants to be noticed.

The whole cast gives an exemplary performance, which comes as no surprise since it's pretty stacked. Linda Cardellini (from Freaks and Geeks, Mad Men, a whole bunch of other shit) plays Alice's put-upon best friend. James Marsden (Cyclops from X-Men, one of Liz Lemon's boyfriends) plays the studio executive who has to control the chaos of Alice's show. Wes Bently (the creepy video-camera kid from American Beauty) plays Alice's main love interest/ James Marsden's brother. Joan Cusack (too many roles to list)  rounds out the cast as the show's cynical producer. 

Welcome to Me is absolutely a funny movie. However, it's not exactly lighthearted. Like I said, there are moments that get pretty uncomfortable so get ready for that. Check out this movie if you're feeling like watching something that's gonna make you laugh, but also make you think.

Hot Girls Wanted

It's only fitting that for this absurdly hot July, we spotlight a documentary called Hot Girls Wanted. Produced by Rashida Jones, Hot Girls Wanted delves into the world of pro-amateur porn and follows several young women on their journey into an industry that ultimately chews them up and spits them out. 

official trailer for Hot Girls Wanted "A cinema verite look at the disturbing exploitative world of amateur porn." - LATimes. An official 2015 Sundance selection, Hot Girls Wanted shines a light on the thriving "amateur" porn industry through the experiences of five young women in the business.

It should come as no surprise that the porn industry is laden with scummy individuals. The thing about this documentary that makes it so compelling is that it serves as a peek behind the curtain into the human aspect of the porn industry

The viewer gets to meet several different people working in porn- it closely follows several young women and affords glances into their home lives and interviews with their family members. There are also interviews with talent agents and photographers that offer some insight on how exploitative the porn industry truly is. 

I'm gonna be honest. This movie was a complete bummer. It made me feel bad to watch porn. But it's definitely an important film. Anyone who watches porn should look at how the sausage is made and know they are supporting this system. This isn't to say that this movie made me give up watching porn (I assure you, I have not), but it did make me think. 

Give Hot Girls Wanted a watch if you're looking for something serious and thought-provoking. 

Snowpiercer

This month's installment of Nothing to Watch on Netflix is the Korean-made Snowpiercer.

I can say with complete sincerity that I have never seen anything quite like Snowpiercer. It's a surreal pastiche of the post-apocalyptic sci-fi coupled with straight action with a healthy dose of class warfare added for shits and giggles. 

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I'm gonna level with you. When I first sat down to watch this movie, I didn't enjoy it. I thought the premise was stupid. I thought it was too campy and tropey. All of the rich people live a life of opulence at the front of the car while poor people starve at the back of the car. 

Then I realized about halfway through the movie that this was part of the movie's appeal. And just when I thought I had things figured out, the plot takes a series of left turns (which is kind of weird because it takes place on a train) that leave me wondering just what the hell I had sat down to watch. 

Basically, humanity has screwed the pooch and Earth is a frozen wasteland after a botched attempt to combat global warming. Everyone piles onto a train called Snowpiercer that makes a year-long circuit around the world. People who had tickets get to ride first class and live the good life while the freeloaders live in the back of the train in squalor. Our hero, Curtis Everett (played by Chris Evans AKA Captain America AKA Jake from Not Another Teen Movie), is a young upstart living in the back of the train who starts a revolution that causes him to fight his way to the engine room of the train. 

This isn't a movie that's gonna make you curl up in a ball and contemplate all of your poor life choices. This also isn't some mindless explosion porn. It's somewhere in between in its absurdity. Give this one a shot if you're not looking for something completely serious. 

Big Time in Hollywood, FL

This month's Nothing to Watch on Netflix isn't on Netflix. But Big Time in Hollywood, FL is such a great show that I think it is deserving of a write-up. Especially because the season finale is happening this Wednesday, now is the most appropriate time to highlight this amazing action-comedy.

Backed by Ben Stiller, Big Time centers on two brothers, Ben and Jack Dolfe and their dreams of becoming big-shot Hollywood filmmakers, things go wrong in the best way.

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The thing that really sets Big Time apart from a lot of other comedies is the fact that it is serialized. There are no throw-away jokes or one-off plot lines. Things don't return to the status quo at the end of the half hour. Every action creates ripples in the plot that inevitably resurface.

The first episode of the series starts with Jack and Ben's parents forcing them to move out of their childhood home. Being in their late twenties, this is not unreasonable. Wanting to secure funds to cobble together another homemade short film, the boys decide to fake their own kidnapping at the hands of a phony drug dealer (Ben Stiller) in order to get a $20,000 ransom. Not too different from a regular sit-com scheme. However, because this is Big Time, there are lasting consequences that resonate through the entire season, including a police investigation, a trip to rehab, and the acting debut of a chimp named Rico.

Big Time in Hollywood, FL's comedic style comes from two places: the utter stupidity of the Dolfe boys, and the absurdly serious situations that they land themselves in. There are dark streaks in this show that get played for big laughs, such as when Jack, Ben, and their friend/camera-man/punching bag Del try to make a suicide look like even more like a suicide. The fact that every situation is played with a straight face only makes things funnier.

Even outside of the farcical nature of the show, the plot is complex and engaging. Similar to shows like Game of Thrones andMad MenBig Time keeps the viewer guessing. There's no telling what will happen next or who is going to show up by happenstance, which makes this that much more enjoyable to watch. The production values are also off the charts, so the season finale should be something special as all of the plot points come to a head.

Coupled with the tight writing are big names filling the roles. Producer Ben Stiller makes a cameo in the first episode to set everything in motion. Through sheer circumstance, Ben and Jack end up working with Academy Award winning actor Cuba Gooding Jr. (who plays a strung-out, coked-up version of himself similar to NPH in Harold and Kumar Go to White Castle). Jason Alexander plays a fictionalized version of himself as well, introduced to the boys by Cuba.

Basically, Big Time in Hollywood, FL is well-shot, well-cast, well-written, and hilarious. There's no reason not to give this spectacular first season a chance, as all of the episodes leading up to the finale are available for streaming on Comedy Central's website. Catch up before the season one finale this Wednesday at 10pm!

(Also, Big Time has one of the best theme songs ever. Here's the full version:)

Music Video for Bobby Jealousy "Rainbow" produced by Tranny Machine productions 2012. Bobby Jealousy's debut album "A little death" out now. http://bobbyjealousy.bandcamp.com http://itunes.apple.com/us/album/a-little-death/id510455855 http://www.bobbyjealousy.com http://www.facebook.com/bobbyjealousy http://www.twitter.com/bobbyjealousy

Lock, Stock, and Two Smoking Barrels

This month I watched Guy Richie's Lock, Stock, and Two Smoking Barrels, a British crime thriller with a massive cast and an incredibly complicated plot. To explain it in brief, Lock, Stock, and Two Smoking Barrels is about a group of four friends who blow all their money on a high stakes poker game and then scramble to pay off their debt to a vicious psychopath. Note that this description hardly does this movie justice.

A hype up trailer for the first Guy Richie cult classic. Enjoy. NO COPYRIGHT INFRINGEMENT INTENDED

I am not overstating when I say that this movie was incredible. There was a huge cast of characters, but everyone played their necessary part- fitting into the plot like a puzzle piece. At its heart Lock is a heist movie. But unlike other heist films, where the first half is the team being assembled and the second half is the actual heist, this movie is a series of heists: it's basically two hours of watching one group of criminals rip off another and then a third group rips them off and so on and so forth.

Like the rest of Guy Richie's work, this movie doesn't take itself too seriously. This silly streak takes things to the point whereLock can arguably be called a black comedy. There are many scenes that are funny due to the absurdity of the situation, while others feature hilarious wordplay.

Cinematically, this Lock is no slouch either. The viewer is treated to all kinds of funky angles and perspective shots as the action unfolds, sometimes even serving as a joke in its own subtle way. 

I could go on and on gushing about this movie, but I don't want to give away any key details or spoil anything. If you enjoyed Snatch or In Bruges you will absolutely enjoy Lock, Stock, and Two Smoking BarrelsCheck it out!

The One I Love

This month, I sat down and watched director Charlie McDowell's debut film, The One I Love

This is a movie that is hard to describe succinctly for two reasons:

1: It transcends genre. The writers and director have cherry-picked techniques and tropes from comedy, drama, romance, and science-fiction to create a blend solely their own.

2: I don't want to give anything away. While this is a movie that is very much character-driven, there are some key plot points whose premature revelation could spoil the viewing experience.

Subscribe to TRAILERS: http://bit.ly/sxaw6h Subscribe to COMING SOON: http://bit.ly/H2vZUn Like us on FACEBOOK: http://goo.gl/dHs73 Follow us on TWITTER: http://bit.ly/1ghOWmt The One I Love Official Trailer #1 (2014) - Elizabeth Moss, Mark Duplass Romantic Comedy HD Struggling with a marriage on the brink of falling apart, a couple escapes for a weekend in pursuit of their better selves, only to discover an unusual dilemma that awaits them.

Going through a rough patch in their marriage, Ethan and Sophie (played by Mark Duplass and Elizabeth Moss) go on a romantic getaway to get their groove back. They go to a house recommended to them by their therapist (a cameo by Ted Danson). Things take a turn for the surreal when Ethan and Sophie encounter something strange in the property's guest cottage. 

That's about as good as it can get for the plot summary without any major giveaways. As I mentioned before, this is a movie that is entirely driven by the characters- more specifically by Ethan and Sophie's strained marriage.

I wouldn't recommend watching this movie with your significant other unless you feel like getting into a huge fight. In all seriousness, this movie raises a slew of questions on the nature of fidelity and identity. Sounds like a laugh a minute, right? This isn't Supertroopers. You're not gonna be laughing out loud at this movie. There are scenes that are funny in an absurd, existential kind of way. 

Overall, this was a great movie that kept my attention through the entirety of its 90 minute run time.  It is thought provoking and dynamic and leaves you with some things to consider about the nature of love. 

Check it out!

Horns

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Daniel Radcliffe has come a long way since Harry Potter. In February's installment of Nothing to Watch on Netflix, everyone's favorite Elijah Wood lookalike trades in his wand for a set of Horns.

In the aftermath of his girlfriend's mysterious death, a young man awakens to strange horns sprouting from his temples.

I've been really excited to see this movie ever since I saw the trailer many moons ago. I don't know what it was that appealed to me about this movie. There was just something about the poster that really pulled me in. 

However, mostly because I'm dumb, I never got a chance to see Horns in theaters. Imagine how thrilled I was when I saw that it was on the 'Flix.

This is a movie that straddles the line of several genres. First and foremost, it's a fantasy. Horns sprout out from Ig's (Radcliffe) without any warning or explanation. It's also a mystery. Ig's girlfriend is murdered and he adamantly defends his innocence. Naturally, it's hard to believe a guy who has horns growing out of his forehead, so the meat of the movie is Ig's search for his girlfriend's killer.

Horns is also very much a comedy. Along with Ig's horns come some strange powers. Most notably, people confess their darkest, most depraved secrets and desires when in Ig's company. This, of course, leads to some fucked up, but hilarious confessions. People also lose their self control and indulge in depraved debauchery and sin, which leads to some crazy situations as well.

It's a real shame that Horns didn't get more hype or recognition. I found it to be entertaining and engaging and exciting. I really wish I could go into more detail here about this, but I don't want to give anything away. Because this movie is at its core a mystery, I can't give any plot details away without unraveling the whole thing.

Just trust me on this one. Horns is a great pick. Check this one out.

This is a movie that straddles the line of several genres. First and foremost, it's a fantasy. Horns sprout out from Ig's (Radcliffe) without any warning or explanation. It's also a mystery. Ig's girlfriend is murdered and he adamantly defends his innocence. Naturally, it's hard to believe a guy who has horns growing out of his forehead, so the meat of the movie is Ig's search for his girlfriend's killer.

Horns is also very much a comedy. Along with Ig's horns come some strange powers. Most notably, people confess their darkest, most depraved secrets and desires when in Ig's company. This, of course, leads to some fucked up, but hilarious confessions. People also lose their self control and indulge in depraved debauchery and sin, which leads to some crazy situations as well.

It's a real shame that Horns didn't get more hype or recognition. I found it to be entertaining and engaging and exciting. I really wish I could go into more detail here about this, but I don't want to give anything away. Because this movie is at its core a mystery, I can't give any plot details away without unraveling the whole thing.

Just trust me on this one. Horns is a great pick. Check this one out.

Black Mirror

For the first time ever, this month's installment of Nothing to Watch on Netflix is not a movie. In spite of this glaring shortcoming, Black Mirror is still a super strong pick. Unlike most American shows, which are bloated with up to 23 or 24 episodes, Black Mirror is a British series with only 3 hour long episodes each of the two seasons. 

While the trailer may lead you to believe that there is continuity between each of the episodes, that is simply not the case.

Unofficial trailer for Black Mirror TV series by Charlie Brooker. Music: Stuart Earl - Ending, Stephen McKeon - 15 Million Merits.

Black Mirror is a spiritual successor to The Twilight Zone. But where The Twilight Zone focuses on aliens visiting Earth and whether gremlins are on the wing of the aircraft, Black Mirror's primary focus is the impact of technology on human development. 

There is a wide range of focus and setting in Black Mirror, with some stories taking place in modern days (the pilot) and others happening in far off dystopian futures.

I really enjoyed watching this series- so much that I sat and watched all six hours of it in a single day. Each episode is unique and there are certainly some more than I liked than others, but I can say with certainty that each episode made me think. A huge range of topics are explored in this relatively short series including societal pressure to conform; the effect of technology on pop culture, grief, and memory; and the struggle to escape poverty.

Definitely check it out, especially since you're probably snowed in with three feet of snow on the ground outside.

Sleeper

This month's NTWON was recommended to me by my parents.

Sleeper is a 1973 Sci-Fi comedy written and directed by and starring Woody Allen. Starring alongside Allen is Diane Keaton, who of course went on to work with him in (and get an Academy Award for) Annie HallSleeper is a much more lighthearted comedy that falls closer in line with Bananas and Take the Money and Run, Allen's earlier films.

Trailer for "Sleeper" starring Woody Allen and Diane Keaton.

A lot of the humor comes from Allen's physical comedy: he's goofy and awkward and funny looking. That's not to say that the writing isn't strong, though. There are situations that are downright absurd, such as when Allen is forced to pose as a robot butler. There are also several running gags that kept me amused through the run time.

But my favorite thing about this movie is the way it incorporates the sci-fi genre. The society that Miles Monroe (Woody Allen) wakes up in is a comedic slant on the one Huxley built in Brave New World. All anybody cares about is having sex (with the help of their orgasm-o-tron), watching television, and catching a buzz from their orb. Mixed in with this are elements of 1984, as the government is a woefully incompetent police state. Of course, Monroe gets roped into the resistance and is forced to find out about the mysterious Aries Project. And because it's a sci-fi movie, Allen writes in a scene with a jet pack that he is hilariously incapable of operating.

Overall, I enjoyed this movie. There was some great slapstick coupled with thoughtful lines that give you something to mull over in the end. Anyone who is a fan of sci-fi should check this one out.

Duck Soup

November's installment of Nothing to Watch on Netflix is the 1933 Marx Brothers classic Duck Soup.

I have to preface this by saying that I normally have no patience for black and white movies. Ever since I was a little boy, there was something about black and white movies that filled me with boredom. In spite of its lack of colorization, I say with no hyperbole that Duck Soup is one of the funniest movies I have ever seen.

What makes it so funny? Well, let's start with the fact that all 68 minutes of this movie are jam packed with one liners, visual gags, social satire, crazy musical numbers, political satire, and even some solid physical comedy. The only thing this movie was missing was a fart joke, but then it would be so funny that nobody would even bother making any comedy movies at all.

Trailer for the Marx Brothers movie.

It's truly amazing how a movie that's nearly 100 years old could still be so accessible to modern audiences. Let's just think about a few things that were still going on in 1933: Alcohol Prohibition, Jim Crow laws, The Great Depression...it was basically the stone age. However, the four Marx Brothers (Zeppo was getting billing at this point in time) have managed to put together a comedy that literally anyone can enjoy. 

The thing that's crazy is as you watch this movie, you can see echos of some of your favorite comedies. The Marx Brothers were the progenitors of some of the most important comedic tropes. I could especially see where Mel Brooks got a lot of influence after watching this movie, as there were many absurd jokes that seemed like something that should be in Space Balls or Men in Tights.

While it doesn't really matter what this movie is about because it's fucking hilarious and the Marx Brothers are basically all playing themselves, I feel I need to at least touch upon the movie's plot: 

The country of Freedonia is going broke. Mrs. Teasdale, a wealthy widow, agrees to bankroll the country on the condition that Rufus T. Firefly (Groucho) is made president with Zeppo playing his assistant. The ambassador of Sylvania, a neighboring country, employs two spies (Chico and Harpo) to undermine Firefly's leadership. Hilarity fucking ensues.  

Definitely check this one out.

Vigilante Vigilante

This month's installment of Nothing to Watch on Netflix is about a documentary called Vigilante Vigilante: The Battle for Expression.

This movie focuses on three different "buffers" from three different parts of the country. A "buffer" is a person who takes it upon themselves to "buff" graffiti away, which is where the subtitle comes into play.

One great thing about this movie is it illuminates a subculture most people are only dimly aware of. We see street art everywhere and don't pay it a second thought. This movie tells the story of people who get up in the wee hours of the morning to paint over work they deem unsightly.

This, of course, brings up the question as to whether or not what they're doing is right, since they're also committing vandalism. In many cases, the buffing looks worse than the art itself- mostly patches of silver or gray or black paint.

The movie focuses on the directors' search for Jim Sharp, the Silver Buff, a man who's been going around buff graffiti in the Berkeley area. Intermittent to the stings they set up on their search are interviews with graffiti artists and other buffers.

One thing this movie makes clear is that there isn't one kind of buffer. Yes, all three of the people interviewed go around "cleaning up" graffiti. But each buffer exhibits a different kind of attitude toward what they do.

In New Orleans, the viewers are introduced to Fred Radtke, The Grey Ghost. Radtke is a figure that is pretty much universally hated in New Orleans, as he buffs indiscriminately. Not only did he paint over some awesome art, but he also covered street signs that artists knocked up in the post-Hurricane Katrina aftermath. Moreover, he was a huge asshole to the directors who were just trying to get an interview and refused to speak with them.

On the flip side, there's Joe Connolly from the LA area, the Graffiti Guerrilla. Connolly was more than happy to meet with the directors. Connolly is a man full of energy and excitement. He has a deep appreciation for art and is friends with many street artists. This, however, doesn't stop him from taking down their work in what he's claimed as his territory. The directors press Connolly and ask him why he feels it's necessary to go around buffing. Connolly doesn't have a reason and admits that he's just compelled to buff and he feels he's doing the community a service. 

Then there's Jim Sharp. The directors finally track him down to find that he's a quiet, straightlaced man in his late 50's/early 60's. He's quiet and polite, if not a little annoyed to be followed around by a camera crew. After several attempted interviews, the director introduces Sharp to Connolly, who gives him tips on how to be a more effective buffer. Sharp isn't as big of an asshole as Radtke, but he also isn't as congenial as Connolly. He's basically just an upright citizen who is trying to do what he thinks is right.

This movie is great not because it's particularly well-shot for a documentary, but because it presents a new world to the viewers in an interesting and dynamic way. They weave their mission of tracking down the Silver Buff with interviews with heavy hitting street artists like Shephard Fairey. The most valuable thing that I took away from this movie was a greater appreciation for graffiti and an understanding of why people "vandalize" property.

Check it out! 

Short Term 12

This month I watched the movie Short Term 12 (recommended to me by the very awesome Ali S.).

Short Term 12 focuses on a woman named Grace (played by Brie Larson), a supervisor for a group home called Short Term 12. Unlike other movies about troubled minors, Short Term 12 focuses on the people working with the kids on the front lines instead of the doctors and therapists, giving the audience a unique perspective on the group home experience.

If I were to describe this movie in one word, it would be symmetrical. The writers worked to make sure that everything about the movie was carefully balanced, mirroring the struggle that the caretakers face balancing their personal and professional lives. Early on, the audience sees how seamless the workers have to transition into crisis mode, as a character is telling a story to his coworkers, only to stop and chase after a resident attempting to make an escape. Once they catch the kid, he finishes telling the story as if nothing happened. This scene is mirrored in the ending, albeit in a slightly different context.

Another thing that was stressed in this film was the fact that the some caretakers have emotional scars of their own and are also a product of the system. It makes sense, really. They understand what the children are going through because they went through it themselves, allowing them to relate on a more fundamental level. This mutual understanding is particularly emphasized with the character Grace. Interestingly, Grace also grapples with the decision to become a parent herself, as her troubled childhood forces her to question her parental competency.

The thing that I enjoyed about this movie was the fact that everything seemed pretty realistic, some parts depressingly so. Not everyone was as sensitive to the kid's struggles as Grace. There's the naive newcomer who doesn't realize that he needs to connect with the children and understand they've had a hard life. There's the put-upon administrator whose heart is in the right place but has to follow the letter of the law. It really helped me gain some insight in the foster care system and how these children live.

I would definitely recommend this movie solely for that reason. It's also pretty dynamic with a lot of cuts and jumps, plus it comes in at an entirely manageable 90 minute run time. 

Check it out!

World's Greatest Dad

In light of Robin William's recent passing, I thought it would be a nice to pay tribute by spotlighting one of his movies. World's Greatest Dad was made in 2009 and centers on a English teacher/ struggling writer named Lance.

This movie is exceptionally dark. Being directed by Bobcat Goldthwait, this shouldn't come as a surprise, considering the fact he's also directed/ written movies about an alcoholic party clown and a girl who sucked off a dog. There are points where I laughed and then immediately felt bad for doing so.

Lance lives like a kicked dog. He can't get any of his work published, nobody wants to take his poetry class, and his teenage son, Kyle, is a complete prick. To really drive home how black of a comedy this is, the movie starts with Lance catching Kyle choking himself while he's jerking off.

Things turn around though, as Kyle eventually dies from said jerking off. (I'm not spoiling, this is all in the Netflix synopsis) Lance, being a decent human, makes it look like a suicide instead of a case of auto-erotic asphyxiation. This, of course, includes forging a suicide note.

Nobody really cares about Kyle's passing at first. He was an asshole. But then his suicide note gets published in the school newspaper and suddenly he's a tortured soul that everyone knew and admired. Of course, things start to turn around for Lance because of this.

Part of what makes World's Greatest Dad such an enjoyable movie is the fact it has a lot of style. There are surreal overtones throughout the entire film, giving the entire experience a dream-like quality. One thing I noticed that doesn't usually strike me about movies was the sound mixing. In order to emphasize particularly awkward situations, there would be no background noise at all, only the strained pause between the actors. Other times, during scenes of high emotion, there is no dialogue at all, only music playing over the film. 

As expected, Robin Williams tears it up in this role. It's pretty different from some of his zanier parts (the Genie, Ms. Doubtfire). He plays a meek, soft-spoken man who's just trying to be happy- kind of similar to the character in One Hour Photo, except he's WAAAAY less creepy.

The thing I enjoyed most about this movie was the overarching theme of how our perception of a person can change after they die. Suddenly, somebody who was a complete asshole in life is a celebrated fixture of the community in death. I think there's something to that..

Definitely check this one out.

Sleepwalk With Me

This month, I decided to watch the movie Sleepwalk With Me. This movie immediately piqued my interested because I am a fan of Mike Birbiglia.

I was surprised when I first started watching because I didn't realize it was...an actual movie. When I made the initial selection, I thought it was a stand-up special. Rather, I was treated to a movie with plot and characters and conflict and all the other stuff that makes a work of fiction.

n spite of these bells and whistles, Sleepwalk With Me is barely a work of fiction. Really, it's more like a memoir recounting the start of Mike Birbiglia's stand up career. 

At least, that's what it feels like. I never met Mike Birbiglia, so the whole thing could be completely made up. But, the fact that the main character's name is Matt Pandamiglio kinda of steers me in the direction that this story is rooted in reality...

Either way, it's funny and hit very close to home for me. I think anyone who is pursuing any kind of creative endeavor should watch this movie.

It just captures the struggle so well. In the beginning, Matt has this sense of worthlessness that I immediately identified with. He wanted to be a stand-up comedian, but was working as a bartender. He felt like a faker, and I think a lot of people feel that way when they're first starting out as artists.

But it was very rewarding to watch him start experiencing success and gave me hope for my own success as an artist.  

Check it out!