NTWON: Easy

This month's feature is the Netflix original program Easy. On first glance, it seems as though Easy is just another comedy. But do not be fooled by the trailer's upbeat music and editing. This show provides a candid and realistic examination of actual problems that people face when in relationships of all levels of commitment and complexity. 

Easy is an anthology series from creator Joe Swanberg that explores diverse Chicago characters as they fumble through the modern maze of love, sex, technology and culture. The eight-episode series, written and directed by Swanberg, features Orlando Bloom, Malin Akerman, Jake Johnson, Marc Maron, Dave Franco, Hannibal Buress, Emily Ratajkowski, Michael Chernus, Gugu Mbatha-Raw, Aya Cash, Jane Adams, Elizabeth Reaser, Evan Jonigkeit, Aislinn Derbez, Mauricio Ochmann and more.

Netflix has pulled out all the stops for Easy, as the lineup is chock-full of famous names. The reason they are able to load the show with so many celebrities is because each individual episode is a self-contained story of its own. However, if you pay close attention, you'll notice a continuous narrative thread spanning across these eight stories. It's not enough to bring them toward any larger point, just a little something to reward dedicated viewers for their attention.

The thing that is most striking about Easy is how accurately the relationships are depicted, especially the sex lives of the characters. They don't try to glam it up with fancy angles or romantic music. The directors work to show average, everyday sex, which can be uncomfortable if you aren't mentally prepared to see such a thing. 

The relationships between the characters are emphasized to the point where they are at the center of all of the action. Many of the episodes do not have a conflict. They merely serve as character studies for when one type of person gets involved with another. The plots tend to be understated at best and nonexistent at worst, with most episodes ending as abruptly as they started. While this does break typical convention for television, it is not a bad thing at all. 

The thing that makes Easy such a great show is that it depicts the mundanity of modern living without being mundane itself. It shows real relationships between people who could plausibly exist and it shows real sex without being vulgar or embarrassing.

Give this one a watch if you're in the mood for something different.

NTWON: WolfCop

As fall approaches, it only makes sense to spotlight a crazy horror movie like WolfCop. WolfCop is a movie that falls into a class of its own, as there are plenty of comedic moments coupled with scenes of brutal depravity. Following in the footsteps of other comedy-horrors like The Evil Dead and Shaun of the DeadWolfCop flies off the rails about halfway through its brief 70 minute run-time. 

Here Comes The Fuzz!!!!! NOW AVAILABLE ON DVD AND BLU-RAY http://www.WOLFCOP.com It's not unusual for alcoholic cop Lou Garou to black out and wake up in unfamiliar surroundings, but lately things have taken a strange turn. Crime scenes seem oddly familiar. Lou's senses are heightened, and when the full moon is out, he's a rage-fueled werewolf.

WolfCop starts slow as they hammer the point home that the main character, Lou Garou, is possibly the worst cop in America. For reasons that are left unrevealed, he is in a constant state of drunkenness. Don't expect to have any questions answered in this movie. Just let the absurdity overtake you as the chaos unfolds.

It should be noted (and viewers should be warned) that there is some extremely graphic violence and body horror in this movie. One particularly notable scene depicts possibly the most terrifyingly realistic transformation sequence ever filmed. There's also plenty of relatively mundane human on human violence peppered in as well to remind viewers that we don't need to be werewolves to mutilate each other. 

Much of the humor lies in the absurd visual gag of a werewolf dressed in a police officer's uniform doing everyday tasks like driving a car, getting laid, and shooting bad guys. Cinematically, there are many call backs to the old-school horror movies along with more modern classics. The quick cuts are especially reminiscent of Edgar Wright's visual style.

On the whole, WolfCop is a movie to watch with some good friends and strong drinks. Sometimes you'll be laughing at a joke and other times you'll be laughing because you don't know how else to process your deep discomfort. It's an absurd descent into madness that's good for a couple of laughs. 

NTWON: Make Happy

This month Mick watched comedian Bo Burnham's one hour Netflix-exclusive special Make Happy.

The thing about comedy specials is you usually know what you're getting: someone standing on stage with a microphone and telling jokes. If you're familiar with the comedian, you may be able to further predict the content of the jokes in advance. Bo Burnham shatters the standard one hour stand-up format in this special, making for a one of a kind experience. 

Available on Netflix worldwide June 3rd.

If there was one word to summarize what sets Bo apart from other stand ups, it's this: Showmanship. Dude knows how to put on a dynamic and engaging program with a hilarious blend of comedy, light shows, and music. It's particularly fitting because a major theme of Bo's work is the nature of performance and how in our modern society we are pressured into performing for each other at all times on the stage of social media. 

There are points in this special where Bo gets serious, where he takes advantage of his place on the stage to do a little bit of social and political grandstanding. Immediately afterwards, he calls attention to how this kills the momentum of the show and wonders aloud as to how he will bring the audience back, making everyone laugh in the process.

Bo has a whip-smart sense of humor and isn't afraid to take risks. He plays with different formats in his jokes, using a mix of extemporaneous crowd-work alongside meticulously pre-prepared songs. One bit in particular that stands out in memory is a part where Bo asks an audience member his name, only to burst into a song about how he had sex with that audience member's mother.

Overall, Make Happy is a fantastic special. It's funny and thoughtful and it's very clear that Bo put in a lot of work and time to make this happen. Give it a watch and you'll find that you've never seen anything quite like it before.

Check it out! 

NTWON: W/ Bob & David

Comedy nerds rejoice- Mr. Show's own Bob Odenkirk and David Cross have made their return to sketch comedy with their new Netflix-exclusive program W/ Bob & David

After being dishonorably discharged from the Navy Seals, Bob Odenkirk and David Cross are back serving our country the way they do best -- making sketch comedy. All Episodes November 13 netflix.com/withbobanddavid

W/ Bob & David retains many of the things audiences enjoyed about Mr. Show: the blend of the dark with the absurd, the semi-continuous transitions between sketches, and the vicious, no-holds-barred satire of modern society. 

Some of the bits include a freelance Jewish Pope, a sovereign citizen who only encounters friendly police officers, a man whose utterance of the word "cunt" summons the people he's shit-talking, and a musical about rooms called Rooms: The Musical

Acting out these crazy sketches are many of the old Mr. Show cast and writers, including: Paul F. Tompkins, Scott Aukerman, Jay Johnson, and Brian Posehn. And among the veterans are some familiar faces including: Keegan-Michael Key (of Key and Peele), Stephanie Courtney (Flo from Progressive), and Arden Myrin (of Chelsea Lately).

The only bad thing I can honestly say about W/ Bob & David is that it's too damn short. Clocking in at only 5 episodes (4 regular episode and 1 special), it's really closer to a movie than a season of a TV show. I highly recommend watching the one hour special as well, as it affords a rare look behind the curtain on how the show was made starting from the writers room and ending on set.

Park yourself in front of a screen and binge-watch this one.

Master of None

masterofnone.jpg

On Friday, Aziz Ansari's new Netflix-exclusive show Master of None dropped and by Sunday I was wrapping up the tenth and final episode. While this in itself is not impressive (as gobbling down entire seasons of programming in five-hour stretches is the new normal), I was spellbound the entire time. Ansari, working with some heavy-hitters in the world of comedy, managed to create a show that is not only hilarious, but also verbalizes existential anxieties facing an entire generation.

Meet Dev (Aziz Ansari), a 30-year-old actor in New York who has trouble deciding what he wants to eat, much less the pathway for the rest of his life. Master of None stars Aziz Ansari, Noël Wells, Eric Wareheim, Lena Waithe, Kelvin Yu, and H. Jon Benjamin.

It's no surprise that a show featuring the writing of Aziz Ansari, Harris Wittles (RIP), and Joe Mande (among many others) is a comedic hit. Couple this with the unique perspective of Eric Wareheim (of Tim and Eric Awesome Show, Great Job!), who directs the lion's share of episodes, and, baby, you got a stew going.

Master of None is not afraid to take some risks with their jokes, especially when it comes to pacing. There are several instances where a scene runs the risk of being too long as it milks a bit dry. Thankfully, these jokes are few and far between and the script of each episode is rife with snappy dialogue (no doubt due to Wittles' influence).

At the center of the show, beyond the wit and banter, is a beating heart. Master of None is to Aziz Ansari as Louis is to Louis CK. Aziz uses this show as a vessel to explore a range of topics important to him including: dating, racism, immigration, sexism, and the influence of technology on a generation entering the throes of adulthood.

One episode that particularly stood out begins with an overview of how Dev's (Aziz's character) father emigrated to the United States. The entire episode seemed like a kind of catharsis for Ansari as it allowed him to publicly thank his parents for the years of sacrifice in order to give him a life of luxury and prosperity.

Being a massive fan of Aziz, I have seen all of his stand-up and even read his best-selling book, Modern Romance. And many, many threads in Master of None connect to his past work. You don't need to be familiar with his back catalog to enjoy this show by any means, but it adds another dimension to the enjoyment, especially if you have read his book. Some scenes seem to be lifted straight off the page.

Overall, the freshman season of Master of None is a massive success. The internet is foaming at the mouth for more, and why wouldn't they? Ansari has taken something personal and turned it into a hilarious and relatable program. I could not recommend this show highly enough.

NTWON: Oldboy

Just in time for Halloween, Oldboy is a horrifying thrill from start to finish. I'm not talking about the weak-ass American remake, you need to see the real deal, the 2003 Korean version with subtitles. 

For all kinds of film goodness subscribe to ViralFilm: http://bit.ly/1oAEuMD Oldboy After being kidnapped and imprisoned for 15 years, Oh Dae-Su is released, only to find that he must find his captor in 5 days. Oldboy (Hangul: 올드보이; RR: Oldeuboi; MR: Oldŭboi) is a 2003 South Korean mystery thriller film directed by Park Chan-wook.

Where to begin? This movie does everything right: a story that keeps you guessing to the last minute, a cast that gives it their all in every scene, and visuals that will make your head spin.

Oldboy is one of the best written movies I have ever had the pleasure to watch. The plot is something straight out of a Greek tragedy, soaked in blood and betrayal and revenge. Even though it's all subtitles, there are still lines that will make you shiver. I really can't say much more about what happens without giving away major plot points, but I assure you: you will not see the end coming. Don't even bother trying to guess. It's gonna come out of left field and make you completely re-evaluate everything you just watched.

Test upload. I'll keep it if it turns out correctly.

Another thing that's great about Oldboy is that in spite of how dark of it is, there are still for funny moments. Of course, it's all gallows humor, but it serves as breathing room between the crazy plot and the insane fight scenes (like the one to the right). This is absolutely due to the delivery of the lines and the expressions of the actors, who commit to their parts with heartbreaking reality.

And visually, you will not find a better movie. Director Chan-wook Park takes some risks and boy do they pay off. Surreal moments are blended seamlessly into the grit of the city, allowing viewers to gain insight in the unhinged mind of Dae-su Oh.

Watch this movie immediately. I cannot recommend it highly enough.

NTWON: Welcome to Me

This month, my dear friend Amy recommended that I watch the movie Welcome to Me for this segment. So I did.

Welcome to Me stars Kristen Wiig as a woman with borderline personality disorder named Alice Klieg. Alice lives a mostly sedentary life going to her therapist (played by Tim Robbins) and watching Oprah re-runs. Then she wins 87 million dollars in the lottery and decides to host her own talk show where she discusses whatever she feels like at the time.

Subscribe to TRAILERS: http://bit.ly/sxaw6h Subscribe to COMING SOON: http://bit.ly/H2vZUn Like us on FACEBOOK: http://goo.gl/dHs73 Follow us on TWITTER: http://bit.ly/1ghOWmt Welcome to Me Official Trailer #1 (2015) - Kristen Wiig Movie HD What happens when a young woman with Borderline Personality Disorder wins the lottery?

There's a lot of potential for wacky hijinks with this plot. It wouldn't be the first movie where a mentally unstable person got a TV show. However, Welcome to Me remains firmly rooted in reality. It can best be described as a black comedy, as there are some scenes that get a little...real.

Kristen Wiig nails this performance. Alice is unstable, but seems to have things under control. However, as things progress with her show, she grows more and more unhinged and alienates all of her friends and family. There are no wacky hallucination sequences or weird Twin Peaks dreams. We see Alice as she is: a woman who is unwell, who feels marginalized and wants to be noticed.

The whole cast gives an exemplary performance, which comes as no surprise since it's pretty stacked. Linda Cardellini (from Freaks and Geeks, Mad Men, a whole bunch of other shit) plays Alice's put-upon best friend. James Marsden (Cyclops from X-Men, one of Liz Lemon's boyfriends) plays the studio executive who has to control the chaos of Alice's show. Wes Bently (the creepy video-camera kid from American Beauty) plays Alice's main love interest/ James Marsden's brother. Joan Cusack (too many roles to list)  rounds out the cast as the show's cynical producer. 

Welcome to Me is absolutely a funny movie. However, it's not exactly lighthearted. Like I said, there are moments that get pretty uncomfortable so get ready for that. Check out this movie if you're feeling like watching something that's gonna make you laugh, but also make you think.

NTWON: Lock, Stock, and Two Smoking Barrels

This month I watched Guy Richie's Lock, Stock, and Two Smoking Barrels, a British crime thriller with a massive cast and an incredibly complicated plot. To explain it in brief, Lock, Stock, and Two Smoking Barrels is about a group of four friends who blow all their money on a high stakes poker game and then scramble to pay off their debt to a vicious psychopath. Note that this description hardly does this movie justice.

A hype up trailer for the first Guy Richie cult classic. Enjoy. NO COPYRIGHT INFRINGEMENT INTENDED

I am not overstating when I say that this movie was incredible. There was a huge cast of characters, but everyone played their necessary part- fitting into the plot like a puzzle piece. At its heart Lock is a heist movie. But unlike other heist films, where the first half is the team being assembled and the second half is the actual heist, this movie is a series of heists: it's basically two hours of watching one group of criminals rip off another and then a third group rips them off and so on and so forth.

Like the rest of Guy Richie's work, this movie doesn't take itself too seriously. This silly streak takes things to the point where Lock can arguably be called a black comedy. There are many scenes that are funny due to the absurdity of the situation, while others feature hilarious wordplay.

Cinematically, this Lock is no slouch either. The viewer is treated to all kinds of funky angles and perspective shots as the action unfolds, sometimes even serving as a joke in its own subtle way. 

I could go on and on gushing about this movie, but I don't want to give away any key details or spoil anything. If you enjoyed Snatch or In Bruges you will absolutely enjoy Lock, Stock, and Two Smoking BarrelsCheck it out!

Nothing to Watch on Netflix: Duck Soup

November's installment of Nothing to Watch on Netflix is the 1933 Marx Brothers classic Duck Soup.

I have to preface this by saying that I normally have no patience for black and white movies. Ever since I was a little boy, there was something about black and white movies that filled me with boredom. In spite of its lack of colorization, I say with no hyperbole that Duck Soup is one of the funniest movies I have ever seen.

What makes it so funny? Well, let's start with the fact that all 68 minutes of this movie are jam packed with one liners, visual gags, social satire, crazy musical numbers, political satire, and even some solid physical comedy. The only thing this movie was missing was a fart joke, but then it would be so funny that nobody would even bother making any comedy movies at all.

Excuse the quality, the movie is only 81 years old.

It's truly amazing how a movie that's nearly 100 years old could still be so accessible to modern audiences. Let's just think about a few things that were still going on in 1933: Alcohol Prohibition, Jim Crow laws, The Great Depression...it was basically the stone age. However, the four Marx Brothers (Zeppo was getting billing at this point in time) have managed to put together a comedy that literally anyone can enjoy. 

The thing that's crazy is as you watch this movie, you can see echos of some of your favorite comedies. The Marx Brothers were the progenitors of some of the most important comedic tropes. I could especially see where Mel Brooks got a lot of influence after watching this movie, as there were many absurd jokes that seemed like something that should be in Space Balls or Men in Tights.

While it doesn't really matter what this movie is about because it's fucking hilarious and the Marx Brothers are basically all playing themselves, I feel I need to at least touch upon the movie's plot: 

The country of Freedonia is going broke. Mrs. Teasdale, a wealthy widow, agrees to bankroll the country on the condition that Rufus T. Firefly (Groucho) is made president with Zeppo playing his assistant. The ambassador of Sylvania, a neighboring country, employs two spies (Chico and Harpo) to undermine Firefly's leadership. Hilarity fucking ensues.  

Definitely check this one out.