Taylor Reviews: Popstar

My dear friend Taylor Raj is full of opinions. He's always going on about what he likes and doesn't like. Always rating things on a scale from one to ten. Finally, I lost my temper and said "God damn it, Taylor, if you've got so many opinions maybe you should just write reviews for my website ALSO THAT!"

And Taylor said "Okay."

I'm proud and pumped to share his very first review here on ALSO THAT.

-Mick Theebs

Popstar: Never Stop Never Stopping - In Theaters June 3 http://www.popstarmovie.com Follow POPSTAR MOVIE: Facebook: https://www.facebook.com/PopstarMovie/ Instagram: https://www.instagram.com/popstarmovie/ Twitter: https://twitter.com/popstarmovie Follow CONNER4REAL: Instagram: https://www.instagram.com/conner4real/ Twitter: https://twitter.com/conner4real Universal Pictures' Popstar: Never Stop Never Stopping is headlined by musical digital-shorts superstars Andy Samberg, Akiva Schaffer and Jorma Taccone, collectively known as The Lonely Island.

I’ll start this review by saying that this was the first time in years I've left a movie and primarily negative thoughts swirled in my head. I openly admit that I laughed out loud at portions of Popstar: Never Stop, Never Stopping. I enjoyed the previous movie The Lonely Island (which is the name adopted by stars/directors/writers Andy Samberg, Jorma Taccone and Akiva Schaffer) group put out in 2007, Hot Rod, well enough. I even paid actual money for the first two Lonely Island albums. How could this movie have possibly left a bad taste in my mouth?

Popstar follows Samberg’s Conner “Conner4Real” Friel, a pop-music celebrity flailing through life after releasing a terrible and over-produced sophomoric album. Of course, Conner’s narcissism and ineptitude cause him to stumble into a spiral of poorer and poorer choices beget of its comedy movie format, culminating in his realization that maybe true friends are worth more than fame.

For a parody rap-group’s movie parodying the current state of pop music and trying to bring to mind Justin Biebers “Never Say Never” tour movie from 2011, you would expect the movie to have decent beats pumping out comedic lyrics for the entire movie. Instead, all but one song are distilled to twenty to thirty second clips that leaves the viewer wanting more. The only song that was played in full throughout the entire movie was the single “Finest Girl (Bin Laden Song)”, which had actually debuted on Saturday Night Live two weeks before. Unfortunately for the movie, the SNL music video is an objectively better watch than Popstar’s “dancing around on stage for a while” and the scene is hurt heavily by already knowing the hook of the track.

Another crux of the faux-documentary style format was the cameos. The likes of Justin Timberlake, Usher, Mariah Carrey, Snoop Dog, and even a fleeting glimpse of Weird Al Yankovic were each used in quite humorous ways; you could see the actors enjoying their roles and delivering laughs. Danger Mouse, Arcade Fire, Questlove, and Ringo Starr, on the other hand, made phoned-in efforts for throw-away cameos in what seems to be a vague attempt to garner respect from the viewer. “Oh, they booked (X) for this movie” even though they added nothing of content, not even a chuckle between them all. DJ Khaled should be celebrated in-that he was on-screen for a total of forty-five seconds and only spouted one of his stale tagline/memes once; Spoiler Alert: it was “you played yourself.”

So where’s the problem? A few misused celebrities when the cameos were almost filling the film to burst in the first place isn’t enough to subtract if the jokes are hilarious, and again, some of them are. The issue is that the script forces all of the jokes to become stale after numerous repetitions and reuse. Hilarious jabs at celebrity rumor-mill TMZ (referred to as ‘CMZ’ in the film) hit hard as Will Arnett and Eric Andre chew the scenery during the first two iterations but ultimately falls flat on it’s third bit. A “maybe I did do it… or maybe I didn’t… but I probably did…” ad nausem joke actually goes on for around a full minute. The entire proposal scene crowning with Seal being attacked by wolves adds not a second more of footage than that which was shown perpetually as THE SCENE for TV and YouTube ad spots.

And in that lies the answer. Popstar finds Samberg & crew once again breaking their normal 3-4 minute long skit formatting that was so popularized by the group via SNL’s Digital Shorts like “I Just Had Sex” and “I’m On a Boat.” The shorter format calls for every second to be packed to the gills with visual humor, scrupulously edited to be punchy and concise, and that catapults the videos to viral status. There’s no time for repetition and down-time. Instead, the group’s directing/writing/starring/producing quadruple-threat efforts ends up exhausting the documentary style tropes over the ninety minute run time and leaving the viewer feeling drained as well.

Ultimately, I recommend that people wait until the best/watchable portions of this movie are severed from the rest in four or five months when clips begin hitting YouTube, and stay optimistic that The Lonely Island will craft more digital shorts (with increased effort) in the meantime. There are laughs for sure, but they’re not worth sitting through ninety minutes and $12 to get to.

Final Rating: 5/10


Taylor Raj operates a TV studio and can't enjoy movies since he learned cinematography. He's scared one day his skeleton will escape. You can find his inane rambling at @TaylorR37

Sonnet 29

Kicking it old school with a quick little reading of some Billy Shakespeare.

When, in disgrace with fortune and men’s eyes,
I all alone beweep my outcast state,
And trouble deaf heaven with my bootless cries,
And look upon myself, and curse my fate,
Wishing me like to one more rich in hope,
Featur’d like him, like him with friends possess’d,
Desiring this man’s art and that man’s scope,
With what I most enjoy contented least;
Yet in these thoughts myself almost despising,
Haply I think on thee, and then my state,
Like to the lark at break of day arising
From sullen earth, sings hymns at heaven’s gate;
For thy sweet love remember’d such wealth brings
That then I scorn to change my state with kings

SOTW: Histoire 2 Couples

Enjoy this award winning CGI 3D animated short film about a young and hyper man who falls in love with a girl addicted to her phone. Created by the talented team of William Loew, Davy Crosta, Alcindo Da Conceicao, Adrien Cuvit, Anne-Charlotte Benasouli , and Camille Burdy!

This shit got pretty real for a cartoon. 

NTWON: Documentary Now!

I would be doing a disservice to the world at large if I didn't spotlight a long running television institution hosted by Hollywood treasure Helen Mirren.

Wait, let me try that again. I would be doing a disservice to the world at large if I didn't spotlight the mockumentary show pretending to be a long running television institution hosted by Hollywood treasure Helen Mirren. 

The product of a collaboration between comedy geniuses Fred Armisen and Bill Hader, Documentary Now! is genre-busting nugget of gold.

50 years of excellence and integrity in documentary filmmaking with Bill Hader and Fred Armisen. For more Documentary Now!: https://goo.gl/nuxxAl Subscribe to IFC to see clips, behind the scenes, web exclusives, and more!: http://goo.gl/1aOr5r This summer, IFC's newest original comedy series Documentary Now! will lovingly parody some of the world's best-known documentaries.

Documentary Now! serves as a hilarious parody of many well-known documentaries including Grey Gardens, The Thin Blue Line, and Nanook of the North

The thing that makes Documentary Now! different from other mockumentaries (Like This is Spinal Tap) is the fact that there are two levels of humor. First, there is the general absurdity that comes with parody of all kinds. Then, about halfway through each episode, the documentaries take hard left turns and viewers suddenly find themselves watching something very different from what they initially started.

Armisen and Hader definitely take some risks in this short 8 episode series, but they pay off more often than they don't. I can only think of one episode I didn't particularly care for and even then there were enough absurd moments to keep me engaged through the entire episode.

Even if documentaries or laughing aren't your things, I implore you to at least give the first episode a shot. If you don't like it, well, there's no accounting for bad taste, I guess. 

Jeff Anderson: Perpetual High

I met Jeff during Greenpoint Open Studios when he was kind enough to open his home to the public. I was so taken with his work that I asked him to share more of it here on ALSO THAT.

As Jeff states below, photography does not do justice to the sheer size and scale of his work. His sculptures are nothing short of breathtaking in their magnitude and beauty. If you find yourself in Greenpoint, Brooklyn, I highly recommend paying his studio a visit. I promise Jeff won't mind the company, as he is one of the most hospitable people I have ever had the pleasure of meeting.

Check out his website here.

When looking at the following photos of my sculptures and furniture, I should explain that it is difficult to photograph electrified art. The photos do not capture the intensity or atmosphere of the lighting. They show the design and scale of my work, but my art can only be fully appreciated by seeing it in person. I welcome anyone who would like to come and see my work. To make an appointment, or if you are interested in acquiring my art, you can call me at: 347-517-7820 or email me at: reflectivesculptures@yahoo.com.

I work in stainless steel, stained glass, wood and plexiglass, with neon and LED lighting. My life would be simpler if I painted watercolors, but I prefer to make large-scale electrified light sculptures, since, the bigger the size, the bigger their impact. In addition, I make furniture, which I also consider to be sculptures. The major drawback is that my work is heavy and unwieldy (I do not want to compromise by making my sculptures smaller and less impactful). I have to hire a moving company with about 5 strong guys to help me transport my art; while I am usually having a nervous breakdown fearing that they will drop it! It is easier for people to come to my studio to see my work than for me to bring it to them. Since I like to work on a large scale, my sculptures are ideally suited for public spaces and office buildings.

In my opinion, the worst reaction that an artist can have to his or her work is ambivalence. An art teacher once said to me, “If one sees a work of art that he hates so much that he pulls it off the wall, tears it to shreds and pees on it, it is probably a great work of art” (please don’t extend me that compliment)! Fortunately, when people see my sculptures, they are unable to walk by without noticing them. I try to make as bold a statement as I can so that my work is impossible to ignore.

To me, my art is a “perpetual high.” Other pleasures in life are ephemeral. Even if you don’t like my work, it is my greatest pleasure, which is all that matters to me. Fortunately, other people appreciate it and enjoy it, too!

To see more of my work, go to my website: http://www.reflectivesculptures.com.
— JA

SOTW: The D in David

Enjoy this very humorous CGI animated short film...An embarrassed Statue of David is humiliated by the other museum artworks for his nudity and must escape the museum. Created by the talented Michelle Yi and Yaron Farkash at Ringling college of Art and design! Original video : https://vimeo.com/162384039 SUBSCRIBE - to TheCGBros for more inspiring content!

In the land of smooth crotches, the anatomically correct is king. 

Hustle and Bustle- Keith Roland

Super excited to announce a partnership with writer and photographer Keith Roland. His work will be featured on ALSO THAT on a semi-regular basis. This first series is from his visit to New York City.

Driver

Keith Roland is a visual artist and writer searching to encapsulate in art what ideas roil in his mind. His creations are a paradox between desire to tame and desire to set free those thoughts that rumble forth through the camera or onto the page.
— KR

SOTW: Print Your Guy

Print Your Guy Short Film by Cornillon Quentin. Featured on http://www.cgmeetup.net/home/print-your-guy/ Subscribe https://www.youtube.com/user/CGMeetup?sub_confirmation=1 Print Your Guy is an animated comedy short made by six french students from Bellecour School of Art in Lyon, France. We are Alwin Leene, Sarah Barry, Quentin Cornillon, Laura Gisselaire, Lucas Scheurer and Thomas Sigaud.

If only she typed in "artsy". 

SOTW: For-Profit Online University Infomercial

The Fastest Growing College on the Internet! Join Now, Print Your Degree Today and Come Profit With Us! SUBSCRIBE: http://bit.ly/AdultSwimSubscribe About Adult Swim: Adult Swim is your late-night home for animation and live-action comedy. Enjoy some of your favorite shows, including Robot Chicken, Venture Bros., Tim and Eric, Aqua Teen, Childrens Hospital, Delocated, Metalocalypse, Squidbillies, and more.

Proud to announce the new sponsors of ALSO THAT. 

SOTW: Born to Shine/Run for Your Life- Big Grams

Big Grams Big Boi + Phantogram - "Born To Shine" featuring Run The Jewels Big Boi + Phantogram - "Run for your Life" Download the "Big Grams" album at iTunes: http://smarturl.it/BigGrams Spotify: http://smarturl.it/BigGramsSptfy Google Play: http://smarturl.it/BigGramsGP Amazon: http://smarturl.it/BigGramsAmzn http://www.biggrams.com http://www.twitter.com/biggrams http://www.facebook.com/biggramsmusic http://www.instagram.com/biggrams (C) 2015 Epic Records, a division of Sony Music Entertainment and Republic Records, a division of UMG Recordings, Inc.

Never go with a leprechaun to a second location. 

Picking Favorites: Greenpoint Open Studios

On the weekend of April 29-May 1 artists across Greenpoint, Brooklyn threw open the doors to their studios and allowed the public to get a glimpse of their workspaces.

Eric Lee Bowman gives some insight as one of the planners of Greenpoint Open Studios

I had the pleasure of speaking with some of the kindest and smartest people I've met in recent memory. There is an insane amount of talent in Greenpoint and I barely got to scratch the surface.

As I visited with these artists, I asked them to choose their favorite piece of work they had on display and to give a brief statement explaining why it was their favorite. Click on the photos below to go to each artist's personal web page to see more of their work!

Ordinary Subjects - Elizabeth Howard

I had the pleasure of meeting Elizabeth through the Coastal Arts Guild of Connecticut. She's a hell of poet and an all-around awesome person. I'm honored to share her poetry on ALSO THAT.

Check out her website.

Follow her on Twitter. 

I’ve been writing poetry since I was old enough to write. When I was 8, the poems were all written in rhyming, four-lined stanzas. Now I write primarily in free verse. I write about mundane, ordinary subjects, but I find the themes of my poetry often reflect my frustration with the oppression and violence that on which our culture seems to feed. I've lived in London, Kansas City, Colorado, Iowa. I worked at Disney World, selling popcorn. We traveled to Egypt, Amsterdam, Paris, Wales and beyond. Place deeply impacts my writing. I studied poetry under award-winning poet Michelle Boisseau. Every poem I write, I am still in her class, in that circle of desks, holding my breath. In 2008, I started writing Demand Poetry: custom poetry that I usually write at live events on my manual, Italian-made Olivetti typewriter. The part of this work I love most is hearing people's stories and translating them into a piece of art. I am a journalist and a marketer, so I am always writing something. I am a member of the Coastal Arts Guild of CT and the American Society of Poets.

Old Dog You Are

Old Dog you are
Electric blue sunrise streaked with amber.
You are single leaf drifting to blacktop. You are
One blood red Japanese maple in
Bone yard row of oaks. You are
Still beauty of one
Perfectly kept lawn in
Scattered season. You are
Questions rolling like
Dryers balls in my mind and
You are
One cold, still answer.
Old dog, you are
Tow headed boy held in sepia, now
Stretched long and darker.
You are grocery list and
Drying laundry and fish scales
On stones. Old dog you
Are.

The second person reveals herself

First, take note: the zucchini is a metaphor.
In all your self-help, writer’s way, dream journal busywork
The zucchini remained.

The zucchini remained, unperturbed
In your patterings, like the possum
You absently called Beatrice.

You. Remaining absent, as if stillness
Equates to nothingness. You, in all your
EST-you-not-me patterings.

Beatrice, you are not. You skulk not pine boughs in
Darkness (as if skulking equates proceeding). You
Proceed more like a metaphor, tethered to its vine.

Beatrice sleeps. The garden bed resolves unto itself. You
Skulk in the artist’s dream along decomposing vines. Proceed on:
As if busywork remains 

And shall remain and you — the absent you belonging—
Unscrolls with the stranger’s composted dreams,
An EST-you-not-me baton to drop and run. 

Drop. Run, you -- dredged in self-help stories, you,
Along the writer’s way, along the cracking bough,
Along this hypothetical fence rail. And shall in sleep, take note: 

The second person reveals herself. In compost, its withered
Processions, as a copyeditor possum frozen.
equates nothingness, 
that  metaphor passing, from
you to me.

Plain

Out here it’s all mostly nothing.
It’s a line of scrub trees;
A chain link fence to divide that
Patch of yard from this.

Out here the horizon is a friend:
She doesn’t have much to say,
Her mind filled with a run-on, tension
Wire conversation that never ends.

Out here an oak tree is true love;
And a water tower stands sentinel
To all the children’s dreams of
Falling, and flying away.

Out here, the overpass goes to
The softball fields, and the Casey’s,
And the driving range and to
Plain spoken hellos at an amble
Speed.           

Here along the sidewalk
The bike path the road the drive
That heads out
Home.

SOTW: Recall Overwatch

3D Animated Recall Overwatch Animated Short Film by Blizzard Entertainment. Featured on http://www.cgmeetup.net/home/recall-overwatch-animated-short/ Making of Overwatch Animated Short Film https://www.youtube.com/watch?v=sh7R0EJF6Yk Alive Overwatch Animated Short Film https://www.youtube.com/watch?v=xXp5zQ_PYP4 Recall Overwatch Animated Short Film https://www.youtube.com/watch?v=2aH_fjI5XQI Overwatch Cinematic Trailer https://www.youtube.com/watch?v=skxmTFgRK3I Recall: Overwatch Animated Short Film - Tells the story of Winston a genetically engineered gorilla and brilliant scientist who longs for the days of heroism to return.

It's like Watchmen with more gorillas. 

NTWON: Look Who's Back

nothing-to-watch1.jpg

Adolf is back at his old tricks again. After inexplicably time traveling to 2014, Hitler struggles to acclimates himself to our topsy-turvy modern ways in Look Who's Back.

These are my own attempts of making unofficial subtitles to "Er ist wieder da", or "Look Who's Back". Enjoy!

I don't even know where to begin with this movie. I was hooked straight out the gate, as Hitler attends finishing school and laments that nobody greets him with a proper Nazi salute. It's hilarious in a subtle, surreal kind of way. Look Who's Back is sort of like a toned-down (and scripted) version of Borat. Both are movies about outsiders shining a light on modern absurdities, but Borat has a more limited scope as it strictly focuses on highlighting actual xenophobia in America. Hitler, being displaced in both time and politics, (in addition to...you know, being Hitler) offers a unique perspective on a slew of topics including racism, populism, democracy, and the media's role in all of it.

Much of the comedy comes from the fact that nobody thinks our protagonist is the real Hitler. Why would they? It wouldn't be possible for Hitler to visit unless time travel were possible. (Spoiler Alert: It is, but don't think about it too much because it's not that important in the movie.) All they see when Hitler gives his trademark salute is a brilliant comedian/method actor really committing to his role.  Of course, the internet falls in love with him and Hitler becomes an overnight celebrity and comedy ensues.

From a cinematographic perspective, Look Who's Back  is a well-crafted film. The director experiments with different perspectives and lighting, including several shots from Hitler's POV, which for some reason is in a fish-eye lens. The craziest thing about this script is about halfway through Hitler decides to make a movie about getting acclimated to modern times, of course with some slight alterations to the events we saw leading up to that point. 

On the whole, this was a remarkable film and I can't recommend it highly enough. It will make you laugh, but it will also make you think about the state of modern politics and the media's role in it. After I watched, I had a better understanding of how people can latch onto magnetic personalities with the hopes of making their country great again. Even if you're not the type of person who normally watches movies with subtitles, give this one a shot. You won't regret it. 

Saturday Afternoon- Keith Roland & Mick Theebs

Keith Roland and I grabbed our cameras and went out to snap pictures one Saturday afternoon. We ended up in the middle of a college rager. Everyone there was very excited to have their photos taken. It was a completely surreal experience and left me feeling strange for the rest of the day. It was interesting to see the front people put on when there are cameras present. Of course, because drunk people take everything up to 11, this was hyperbolized as well. Since there were two of us moving through the crowd of 70-80 people, we got some great candid shots in addition to pictures where the subjects posed. It was strange capturing moments for people that might not necessarily remember them in the future, or might not be proud of them. Regardless, Keith and I were both happy to share the experience. 

 

SOTW: Final Space

If you enjoyed the concept pilot & want to see it turned into a series give it a "good job" THUMBS UP or whatever your heart desires. :) Hope you enjoyed the 7 minute that's all we could afford pilot :) :) :) Big thank you to New form Digital & Studio Joho.

Who doesn't love cookies? 

Dave Carender: An Impermanent Thing

Dave Carender's crazy comic-book style made me stop dead in my tracks. I fell in love with it immediately and insisted he share his work on ALSO THAT. He was kind enough to answer some questions about his style and process as well.

Check Out His Website

Like his Facebook Page

 and follow him on Instagram

 

MT: When did you first start making art?


DC: I’ve always been artistic, but really nothing more than sketching and doodling. It wasn’t until later in life that I started messing around with stenciling, which lead to street art, stickering. wheat-paste, all that. Eventually someone left some acrylic paint at my house, and I started messing around with incorporating it into my stencils, and that led to where I am now. Stencils still play an important roll in my artwork, many of my pieces incorporate them. But as far as when did I start making the art that I am now, the more kind of defining art, I would say within the last 3 or 4 years. 

MT: How did you develop your distinct visual style? Can you name some influences?


DC: I think my style is a result of a stencil-centric background, being a stencil artist first helped me to visualize art in layers. I like the idea of layering and how it can be used to create, or hide, depth in a painting. Some of my more obvious influences are Dan Paladin who is the artist for The Behemoth, the studio that made the video games Castle Crashers and Battleblock Theater – his work is great, and mine’s very similar to it. Same with Jhonen Vasquez, I’d been a fan of his for a very long time and there’s no doubt he’s been a huge influence. Derek Hess, and Ashley Wood are also major influences.
The idea of expedition in my artwork is a major factor as well. I typically paint 3 to 5 paintings simultaneously, and they usually take no longer than an hour to create. The idea of fast art is interesting to me, that I can create large volumes of artwork quickly I think challenges me to refine my style as well as and technique. I do a lot of “live” painting, at clubs, street fairs, public events etc – I’m intrigued by the idea of the making of art being part of the art, that in-process public spectacle can be part of it. I think that’s probably a result of a street art background – with street art it’s like once you complete the piece, it doesn’t belong to you anymore, it belongs to whoever is seeing it, consuming it – and it’s, by its nature, an impermanent thing, right? It’ll get buffed, or tagged over, or fade with time. So I like the idea of being inclusive to the creation of the artwork because witnessing the act is also impermanent, once the art is made, the viewing of the process is complete - but that viewing aspect can be just as fun, or thought provoking, and personal as the completed work itself. 

MT: I love how you've created this cast of characters within your body of work. Have you ever considered making a webcomic or video featuring them?


DC: Thank you, and, no, I hadn’t, really – though you aren’t the first to mention it. Animation isn’t in my wheelhouse or skillset – I’d love to see some of my characters animated though, that would be cool. If anyone would like to collaborate on that I’d be down!

MT: Based on your website, I see you've done some stickering. Would you ever branch out and put up some wheat paste posters or spray some stencils?


DC: Yep, like I said, I very much come from a vandal street artist background, I’m not operating “unsanctioned” in the streets as much anymore though. Mostly I keep to stickering in that regard. The majority of my art-proper is on canvas for private sale or art shows. Stickers are fun though, I think that stickers are a neat kind of “popcorn” art, easy to make, easy to distribute, they can be a kind of currency to trade with other artists, you can put them up quickly and they can be a real enhancer to an area, which I think is very cool. 
I think as a street artist you should own some of the responsibility that comes with that – if you have this inherent capacity to create artwork, and you choose to move that artwork into the public space then you should be aware of how that’ll affect the area, or the people who may see and consume it – you could just put whatever up wherever and have it just be that, and certainly plenty of people do. But I think that’s seriously negligent - I'm pretty cognizant of where I place my stickers, I try to place them on things like utility boxes or light poles etc, and ones which aren't close to or on mom-and-pop type establishments - I try to keep to places like back alleys or parking structures etc. Don't get me wrong, it's still vandalism, and I'm certain plenty of people would find it disagreeable but I try to place them in a place where they're at least a reasonable enhancement. I like to think that someone might glance up by chance and see one of my characters hanging out and that would make them smile.

MT: I saw that Edgar Allen Poe stencil tutorial you posted recently. Would you consider creating more tutorials in the future? How do you feel knowing that other people could potentially creating your designs?


DC: I love the idea of artists making tutorials and walkthroughs, it’s always neat to see how someone made something. You could learn something new or it might click in your head to try something you hadn’t previously considered. I’m certainly considering making more tutorials, especially for the r/sticker community on reddit, that is a community that seems like it’s on the come up, and I like the positivity and encouragement I see on there.  
I’ve actually had my designs “borrowed” before. Recently I found a guy on tumblr randomly who had art very similar to mine, and the more I looked into it I realized it wasn’t just similar it was pretty blatant, and as I looked back through the history of his tumblr there was a very obvious, very clear, shift in the design on the art that he had been making; about three months prior he had suddenly started basically ripping off my work. It was then that I realized that it was a same person who had started following me on Instagram three months before then. So it was obvious that he found my IG and start ripping off my work. So I wrote him, and was very civil, and told him his art was cool, I liked it, and that it almost looked like something I had come up with – I was very facetious. I thought to myself “I’ll never hear from that guy, he’ll probably just block me”, but to my surprise he actually wrote back and fessed up. He basically said “yeah you caught me, I really love your artwork and what you were doing is what I’ve been trying to do for so long and haven’t quite been able to make it work, so I thought I’d copy you and see if I could get my own thing started”, which I thought was cool. It was cool that he owned up to it and it was flattering that someone would thinking highly enough of my art to try to use it as a catalyst to ignite their own. He’s since shifted away from my stuff, and I hope he continues to refine his stuff. 

MT: What words of advice do you have for aspiring artists?

 
DC: Always be sketching, always be doodling, look at (but don’t rip off) other artist’s work for inspiration – and don’t be afraid to throw your stuff out there online or wherever and ask for some input, use your fellow artists, ask them what they think, ask them what materials and techniques they use.